It's Alive

There's only one thing wrong with the Davis baby...
It's Alive (1974)
Timing: 1:31 (91 min)
5.7/10
11 448

no scores
6/10
223
5.8/10
9700
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Release date
Country
Budget
$500 000
Box office
$14 000 000
Website
Director
Actors
John P. Ryan, Sharon Farrell, Andrew Duggan, Guy Stockwell, James Dixon, Michael Ansara, Robert Emhardt, William Wellman Jr., Shamus Locke, Nancy Burnett
All actors and roles (10)
Scenario
Producer
Larry Cohen, Peter Sabiston
Camera operator
Fenton Hamilton
Composer
Artist
Bob Biggart, Pat Somerset
Audition
Editing
Peter Honess
Whole Team (17)

Short description

The Davises are expecting a baby, which turns out to be a monster with a nasty habit of killing people whenever scared. And it's easily scared.

What's left behind the scenes

  • Director Larry Cohen drew the monstrous creature as he envisioned it: with a huge forehead and prominent veins, and gave the drawing to special effects artist Rick Baker. The Star Child from "2001: A Space Odyssey" (Stanley Kubrick, 1968) and a wolf served as inspiration.
  • Filming and editing of "It Lives!" took place concurrently with work on Larry Cohen's other film – "Black Caesar" (1973). As a result, many members of the cast and crew worked on both films seven days a week without a break.
  • For close-up shots, Rick Baker created a full-size head of the mutant baby, a pair of gloves, and a costume, which was worn by his then-girlfriend, and later wife, Elaine Alexander.
  • Victor Tsoi was mistakenly listed among the actors on the film’s poster. In reality, Vyacheslav Tsoi, a namesake of the singer, appeared in the film.
  • The film is based on Saltykov-Shchedrin's novel "The History of One Town".
  • Director Larry Cohen sketched the newborn monster exactly as he envisioned it: with a massive forehead and protruding veins, and gave the drawing to special effects master Rick Baker. The design was based on the Star Child from '2001: A Space Odyssey' (Stanley Kubrick, 1968) and a wolf.
  • The filming and editing of 'It's Alive' took place simultaneously with Larry Cohen's work on another film, 'Harlem Nocturne' (1973). As a result, many members of the cast and crew worked on both films seven days a week without a break.

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