The Handmaiden

Never did they expect to get into a controversial relationship...
아가씨 (2016)
Timing: 2:25 (145 min)
7.9/10
406 988

no scores
8.2/10
4413
8.1/10
201000
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Release date
Country
Budget
$8 800 000
Box office
$37 781 075
Website
Director
Producer
Syd Lim, Park Chan-wook, Miky Lee
Camera operator
Composer
Artist
Ryu Seong-hie
Audition
Editing

Short description

In 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her fortune.

What's left behind the scenes

  • While working on the English subtitles for the film, American film critic Darcy Paquet, living in Korea, received instructions from director Park Chan-wook not to translate certain lines, but to take them from Sarah Waters’ novel, as they had been translated as closely as possible to the original for Korean and Japanese.
  • Filming began on June 15, 2015, in Kuwana (Mie Prefecture, Japan) and ended on October 31. Filming took place in various locations in Japan and South Korea.
  • An adaptation of the novel "Fingersmith" by British writer Sarah Waters. The film's setting has been moved from the Victorian era to Korea under Japanese occupation.
  • Lady Hideko was named after the Japanese actress Hideko Takamine. Sook-hee was named after Sue, or Susan Trinder, a character in Sarah Waters' novel 'Fingersmith'.
  • Lady Hideko was named after the Japanese actress Hideko Takamine (1924-2010). Suk-hee is named after Sue, or Susan Trinder, the heroine of Sarah Waters' novel 'Fingersmith'.
  • Even before finishing Sarah Waters' novel 'Fingersmith', Park Chan-wook decided to make a film based on it with a happy ending.
  • Lady Hideko was named after the Japanese actress Hideko Takamine. Suk-hee was named after Sue, or Susan Trinder, the heroine of Sarah Waters’ novel ‘Fingersmith’.
  • While working on the English subtitles for the film, American film critic Darcy Paquet, living in Korea, received instructions from director Park Chan-wook not to translate certain lines, but to take them from Sarah Waters' novel, as they had been translated into Korean and Japanese as closely as possible to the original.
  • During the erotic scenes, all members of the film crew were asked to leave, so only women with microphones on booms remained on set. Filming was done with remotely controlled cameras. Outsiders were prohibited from visiting the set on those days, and the men working on the film were simply given the day off. The erotic scenes were shot first: the director decided it was the most difficult part and needed to be finished as soon as possible. Kim Tae-ri and Kim Min-hee first discussed all the nuances of these scenes with the director.
  • In Singapore, the erotic scene with Kim Min-hee and Kim Tae-ri was cut from the theatrical version of the film due to censorship concerns.
  • During the erotic scenes, all crew members were asked to leave, leaving only women with boom microphones on set. The scenes were filmed using remotely controlled cameras. Outsiders were prohibited from visiting the set on those days, and the men working on the film were simply given the day off. The erotic scenes were filmed first; the director decided that these were the most difficult and needed to be completed as soon as possible. Kim Tae-ri and Kim Min-hee first discussed all the nuances of these scenes with the director.
  • The rights to show the film were sold to 116 countries even before its premiere.
  • The director's cut of the film has a runtime of 167 minutes.
  • Kim Tae-ri is a great admirer of Kim Min-hee's talent. During the screen tests and auditions, she had no idea that Kim Min-hee would be playing Lady Hideko. After casting Kim Tae-ri, director Park Chan-wook asked her which actors and actresses she liked most and was pleasantly surprised by her answer. Kim Tae-ri and Kim Min-hee met and became friends back in 2014 during the preparation for filming. While receiving the Best New Actress award at the 2016 Buil Film Awards, established by the Korean newspaper Busan Ilbo, Kim Tae-ri dedicated the award to Kim Min-hee, stating in her acceptance speech that she had 'fallen in love with her at first sight'.
  • While working on the screenplay, director Park Chan-wook and Chung Seo-kyung repeatedly sought advice from a lesbian acquaintance.
  • The pornographic depiction of a woman and an octopus in the first part of the film is a woodcut print, "The Dream of the Fisherman's Wife," by Japanese artist Katsushika Hokusai (1760-1849) from the Edo period. The pornographic story read by Hideko's aunt in the second part is an excerpt from the erotic novel in vernacular Chinese, "Plum Blossoms in a Golden Vase," known since 1617.
  • Kim Tae-ri was chosen for the role from 1500 applicants. According to Park Chan-wook, he immediately remembered Kang Hye-jung, who played the female lead in his "Oldboy" (2003) when he first saw the actress. Kim Tae-ri was approved for the role after a 15-minute audition.
  • The film's characters speak Korean and Japanese. Before filming began, Japanese teachers were assigned to all the actors. After the film was shown at Cannes, Japanese journalists gave actress Kim Min-hee a standing ovation, applauding her mastery of the Japanese language.
  • While working on the script, director Park Chan-wook and Jeon So-gyeong repeatedly sought advice from a lesbian acquaintance.
  • The characters in the film speak Korean and Japanese. Before filming began, Japanese teachers were assigned to all the actors. After the film's screening in Cannes, Japanese journalists gave actress Kim Min-hee a standing ovation, applauding the skill with which she speaks Japanese.
  • Kim Tae-ri was chosen for the role from 1500 candidates. According to Park Chan-wook, when he first saw the actress, he immediately remembered Kang Hye-jung, who starred in his "Oldboy." Kim Tae-ri was approved for the role after a 15-minute audition.
  • Before filming began, Park Chan-wook sent the completed screenplay to Sarah Waters. The author of 'Fingersmith' liked the script.
  • Before filming began, Park Chan-wook sent the completed screenplay to Sarah Waters. The author of ‘Fingersmith’ liked the screenplay.
  • Kim Tae-ri is a big fan of Kim Min-hee's talent. During the auditions and casting, she had no idea that the latter would play Lady Hideko. After approving Kim Tae-ri, the film's director Park Chan-wook asked her which actors and actresses she liked the most and was pleasantly surprised by her answer. Kim Tae-ri and Kim Min-hee met and became friends back in 2014 during preparations for filming. At the Buil Film Awards ceremony, established by the Korean newspaper Busal Ilbo, in 2016, Kim Tae-ri dedicated her award as Best New Actress to Kim Min-hee, saying in her acceptance speech that she “fell in love with her at first sight.”
  • Although Cho Jin-woong played the role of the old man Kodzuki in the film, in real life he is only two years older than Ha Jung-woo, who played Fujiwara, and only six years older than Kim Min-hee, who played the role of his niece.
  • In Singapore, the erotic scene featuring Kim Min-hi and Kim Tae-ri was cut from the theatrical version of the film for censorship reasons.
  • The pornographic depiction of a woman and an octopus in the first part of the film is a woodcut print, 'The Dream of the Fisherman's Wife,' by the Japanese artist Katsushika Hokusai (1760-1849) from the Edo period. The pornographic story read by Hideko’s aunt in the second part is an excerpt from the Chinese erotic novel ‘The Plum in the Golden Vase,’ known since 1617.
  • While working on the English subtitles for the film, Darcy Pquet, an American film critic living in Korea, was instructed by director Park Chan-wook not to translate certain lines, but to take them directly from Sarah Waters' novel, as they had been translated into Korean and Japanese as closely to the original as possible.
  • The film features two main female characters – a lady and her maid. The original title of the film is "The Lady" (Agasshi – a respectful term for an unmarried young woman), while its international title is The Handmaiden.
  • Even before finishing Sarah Waters’ novel ‘Fingersmith,’ Park Chan-wook decided to make a film based on it with a happy ending.
  • Kim Tae-ri was chosen for the role from 1,500 candidates. According to Park Chan-wook, when he first saw the actress, he was immediately reminded of Kang Hye-jung, who starred in his film 'Oldboy'. Kim Tae-ri was cast after a 15-minute audition.
  • Despite playing the role of the elderly Kozuki in the film, Cho Jin-woong is only two years older than Ha Jung-woo, who played Fujiwara, and only six years older than Kim Min-hee, who played his niece.
  • Before filming began, Park Chan-wook sent a finished screenplay to Sarah Waters. The author of 'Fingersmith' liked the script. She made only one comment: in her opinion, it would be more correct to state in the credits that the film was made 'based on' the novel, rather than 'inspired by'.

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