Shock Treatment

Trust me, I'm a doctor!
Shock Treatment (1981)
Timing: 1:34 (94 min)
5.7/10
6 123

no scores
5.8/10
108
5.7/10
5800
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Release date
Genre
Budget
$3 500 000
Box office
$0
Director
Scenario
Producer
John Goldstone, Lou Adler, Michael White
Camera operator
Mike Molloy
Composer
Richard Hartley
Artist
Brian Thomson, John Beard
Audition
Ellen Chenoweth, Debbie McWilliams
Editing
Richard Bedford, John Comfort
Whole Team (69)

Short description

Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors?

What's left behind the scenes

  • The role of Brad/Farley, ultimately played by Cliff De Young, was offered to Tim Curry, but he declined, stating that he wouldn't be able to convincingly speak with an American accent.
  • The original script was set in the vicinity of Denton, such as Brad and Janet's house and Cosmo and Nation's 'hospital.' It was supposed to be filmed in the real city of Denton, Texas, but the 1979-80 Screen Actors Guild strike meant that no American actors were allowed to film anywhere. Filming moved to the UK, but no English locations could pass for an American suburb, so director Jim Sharman staged the entire film in a Denton television studio.
  • The role of Brad/Farley, which was eventually played by Cliff DeYoung, was offered to Tim Curry, but he declined, stating that he would not be able to convincingly speak with an American accent.
  • The original script was set in the outskirts of the town of Denton, for example, at Brad and Janet's house, as well as at Cosmo and Nation's 'hospital.' It was intended to be filmed in the actual town of Denton, Texas, but the 1979-80 Screen Actors Guild strike meant that no American actors were permitted to film anywhere. Production moved to the UK, but since no English locations could pass for an American suburb, director Jim Sharman set the entire film within the Denton television studios.

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