Colours of Time
![Video for the film Colours of Time — Official Trailer [Subtitled]](https://www.acmodasi.com/amdb/images/posters/k/n/etKuQI7Us5H6.webp)
Production
Budget
$0
Box office
$10 111 905
Director
Actors
Suzanne Lindon, Abraham Wapler, Vincent Macaigne, Julia Piaton, Zinedine Soualem, Paul Kircher, Vassili Schneider, Sara Giraudeau, Cécile de France, Olivier Gourmet
All actors and roles (10)
All actors and roles (10)
Scenario
Producer
Camera operator
Alexis Kavyrchine
Composer
Artist
Marie Cheminal, Francesca Motte
Audition
Editing
Short description
When four distant cousins inherit a 19th-century home in Normandy, they decide to visit and examine their family history. No one has lived there since the 1940s, and the cousins are intrigued by all of the items they find there, little things that help them to understand their ancestor, Adèle Vermillard. Jumping back and forth in time, they meet the mysterious Adèle, whose bohemian lifestyle, and her relationships with the leading artists of the time, changes their lives.
What's left behind the scenes
- The film's action unfolds in both the present and the past. Anamorphic lenses were used to film scenes from the past, while spherical lenses were used for scenes in the present. In the first case, the image was grainy and lacked contrast, with natural lighting. In the second case, the contrast was sharp, and the image was clear. This was done to make it easier for the viewer to perceive and transition between the two eras.
- Director and screenwriter Cédric Klapisch is not accustomed to working in the historical drama genre. The action in a significant portion of his films takes place in the present, but he has always had a certain attraction to 19th-century Paris (where, incidentally, his 1989 short film "Ce qui me meut" was set). In this film, he had to deal with the setting (we are talking about costumes for 80 extras, matching decorations and props, omnibuses, horses, and carriages), which complicated filming and staging.
- Director and screenwriter Cédric Klapisch is not used to working in the historical drama genre. A significant portion of his films take place in the present day, but he has always felt a certain attraction to 19th-century Paris (which, incidentally, was the setting of his 1989 short film "Ce qui me meut"). In this film, he had to deal with the period setting (including costumes for 80 extras, appropriate sets and props, omnibuses, horses, and carriages), which complicated the filming and staging of the scenes.
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Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
